Re-experiencing Insomniac’s story has delighted me as much as it did the first time around, particularly in the wonderful first moments of Peter and Mary-Jane on screen together, Spider-Man’s friendship with Yuri Watanabe, and some of the bigger personalities of Peter’s foes. Improved facial animations, less plastic-y skin, and realistic hair tech add more realism to the chemistry between Peter and MJ, with a satisfied smirk betraying Peter’s hope that they’ll get back together, as well as the despair Otto experiences when his lab is shut down. It’s a big step up.
Characters benefit from the re-done lighting system, and so does everything else it touches. From beautiful moments at dusk as the sun fades, to indoor interiors of Fisk Tower using the building’s many modern light fixtures to more realistically brighten the space, everything just looks more beautiful. And married with ray traced reflections in the fidelity mode, New York comes alive in a way that just wasn’t possible on the PS4. I mean seriously: it has turned one of Spider-Man’s most common tasks, stopping a car chase, into a beautiful light show of neon signs reflecting off cars and buildings as I chased the thieves and webbed them up all through the city. It’s as shiny and bright as strolling through Times Square at 2AM actually is, all without the real-life headache you probably have...if you’re strolling through Times Square at 2AM.
The DualSense is used pretty much exactly as it is in Miles Morales, which is excellent in helping to translate the sensation of playing as Spider-Man in more detail than ever before. I may never get the sensation of webslinging in real-life, but the DualSense’s haptic vibrations, trigger resistance, and a subtle “thwip” from the controller’s speaker do an admirable job of recreating what I imagine it’d be like. Likewise, if you have a 3D audio headset like the Pulse 3D, you get a nice extra level of immersion as the sounds of sirens go by in the distance and angry New Yorkers tell you to watch where you’re going as you run by on street level. But of course, my soundbar still does a perfectly good job of capturing the layered sounds of Insomniac’s New York as I swing through the streets.
The remaster also has all the benefits of bundling all three DLC episodes of The City That Never Sleeps. That’s another 10 or so hours of play, and it adds a largely satisfying comic book mini-arc that includes fantastic character work with Black Cat and Silver Sable. You take the bad with the good in the form of the annoying Screwball missions and a less-than-stellar second chapter, but these episodes work much better together than they did as separate episodes released a month apart as they were originally.
Anyone can wear the mask, and it’s lovely and important that Insomniac has carried that philosophy into its games.
On top of that and the free suits Insomniac put out, the remastered edition has been enhanced with quality-of-life improvements, like the near-instantaneous load times on PS5, and even additions to Photo Mode to mirror the handy new lighting features of Miles’ version. Plus, Miles Morales’ huge suite of accessibility features have been added (something I’m kicking myself for neglecting to mention in my Miles review). There are options to change the contrast of the environment, enemy readability, quick-time event requirements, and much more. It’s a nice step up from the original’s included options. And if recent Spider-verse stories have taught us anything, it’s that anyone can wear the mask, and it’s lovely and important that Insomniac has carried that philosophy into its games.“
